July 7, 2022

When “In America: A Lexicon of Style” opened on the Metropolitan Museum of Artwork in September, some attendees had been left…underwhelmed. The style on show was stunning — to not point out one of the crucial numerous picks seen in a Costume Institute exhibition — however following the staging of exhibits the multi-building-sweeping “Heavenly Our bodies: Style and the Catholic Creativeness” or the perfectly-restrained “About Time,” it was difficult to really feel impressed by clothes remoted in lit packing containers, it doesn’t matter what adjective was perched above the mannequins’ heads.

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